Monday, October 29, 2007

Week of 30 October 2007: SONGS for NUMBERS

Songs Week of 30 October 2007

ONE MINUTE
This song by the Gospel duo, Mary Mary, evokes the image of the Jews' betrayal of God in the wilderness (the Golden Calf, etc.) and the repentance that follows. As usual, it appeals to the Law, or the Way (as early Christianity was called):
Oh, hmm, hmm I know it now that I was such a fool To turn my back on you When You had given me everything I let You down, I know that's true Now I've come to realize that there There are no happy days because You're not here, I need to know if There's a chance for me again, oh!
    All I, all I need is one minute of Your time Five seconds of it may change Your mind Ten seconds to make You see Fifteen to say Lord I'm sorry For all the things I've done I'll take twenty more to say You're the one Nine to think it through I'll take the one to say I love You
    Late at night when I was all alone You held me in Your arms I strayed away only to find There was no place to hide Lord please hear me when I say I'll give my life to You Whatever I've gotta do Show me Lord and I will live for You
    All I, all I need is one minute of Your time Five seconds of it may change Your mind Ten seconds to make You see Fifteen to say Lord I'm sorry For all the things I've done I'll take twenty more to say You're the one Nine to think it through I'll take the one to say I love You
    I'm not willing to, to give up on You Knowing that You always stood right by me Until you forgive me my world won't turn So if you hear me Lord I'm saying that I'm sorry Said I'm saying that I'm sorry,
I'm saying that I'm sorry, oh!
    All I, all I need is one minute of Your time Five seconds of it may change Your mind Ten seconds to make You see Fifteen to say Lord I'm sorry For all the things I've done I'll take twenty more to say You're the one Nine to think it through I'll take the one to say I love You!

HEART AND SOUL
This contemporary Gospel song is based on the Shema ("Hear, O Israel"), from Deuteronomy (6:4-5). The singer vows to love God with his whole heart and soul:

    "Hear, O Israel: The LORD our God is one LORD; and you shall love the LORD your God with all your heart, and with all your soul, and with all your might."


    With my heart and soul I wanna let you know I love you, I love you. (2x). When I first made you my choice, my heart was glad, my soul rejoiced. But tell me, how long has it been since I let you know exactly how I feel? I must apologize: time slipped away and I didn't realize. Give me just half a chance and I'll show the world how to dance. With my heart and soul I wanna let you know I love you, I love you. (2x).
   
Blue Monday never occurs. Every day's sweeter, with you in my world. Matter of fact, that's how it's been from the very moment I let you in. Funny how people will try to stop me from making you the center of my life. After all that you love me through giving you my heart is all I wanna do. With my heart and soul I wanna let you know I love you, I love you. (2x). Never let you go. All I have is yours, it's yours. And if I could I would give you more, you more. With my heart and soul I wanna let you know I love you, I love you. Etc.

In 1970, the Folk-Rock group, Crosby, Stills, Nash, and Young (CSNY) released a single called Teach Your Children (from the album, Deja Vu). It was based on the Shema, from Deuteronomy.
     The Shema gets its name from the first word of the Hebrew text ("Hear"):
     "Hear, O Israel:  The Lord our God, the Lord is one.  Love the Lord your God with all your heart and with all your soul and with all your strength" (6:4-5).
     This text has led to three different interpretations, all of which are important in studying the Bible.
     1. The first is the issue of centralization.  As worship became centralized in Judah (Jerusalem) at the temple, there was worry that Jehovah would have as many personalities as local gods if worshipped outside the temple.  The Levites wished to control worship in a single location.  The Shema was an effort to remind Jews that there was only one Jehovah (one Lord) and one place to worship him.  This theme becomes central especially in Deuteronomy and the Deuteronomistic history (Joshua, Judges, and the two books of Samuel and Kings).
     2. The second reading is that the Lord ranks first among many gods (henotheism).
     3. The third reading is that there is only one God (monotheism).  It is this meaning that became most important.
     Jesus said the Shema summed up the entire Torah (Law, Teaching): 
    "This is the first and greatest commandment" (Matthew:  22:38-40).

     The CSNY song is based on the full Shema, which continues:
    "These commandments I give you today are to be upon your hearts. Impress them on your children.  Talk about them when you sit at home and when you walk along the road, when you lie down and when you get up.  Tie them as symbols on your hands and bind them on your foreheads.  Write them on the door-frames of your houses and on your gates" (Deuteronomy 6:6-9; also 11:18-20 and Numbers 15:38).

     This torah about the Torah (or teaching about how to teach the Law) was taken literally.  Jews even today put texts from the Torah (the Law) into little boxes.  On the door-frames these boxes are called mezuzah.  On the left arm and forehead, these are called phylacteries (tefillin).
     The song follows the Bible closely.  The "road" is the wilderness.  The "code" is the Law or teaching.  The word "live" means "so you may live long" (Deuteronomy 11:9).  To "become yourself" means to keep the image of God, in which one is created.
     "The past is just a goodbye" is a theme in Numbers, where a whole generation must be killed in order to kill the past, without which there can be no change.
     "Teach your children" is part of the Shema; while the "fathers' hell" suggests  slavery in Egypt.
     After this, the song is slanted for the Youth Culture of the Hippie generation; here the children teach their parents too.
     The word "dreams" also has a Bible reference, in the Book of Joel:  "Your sons and daughters will prophesy, your old men will dream dreams, your young men will  see visions" (Joel 2:28).  The word "fix" suggests Deuteronomy:  "Fix these words of mine in your hearts and minds" (11:18).


TEACH YOUR CHILDREN
You who are on the road must have a code that you can live by and so become yourself , because the past is just a goodbye. Teach your children well: their fathers' hell  did slowly go by. And feed them on your dreams, the one they fix, the one you'll know by.  Don't you ever ask them why, if they told you, you would cry. So just look at them and sigh  and know they love you. And you, of tender years, Can't know the fears That your elders grew by. And so please help them with your youth, They seek the truth Before they can die. Teach your parents well, their children's hell will slowly go by. And feed them on your dreams: the one they fix, the one you'll know by. Don't you ever ask them why; if they told you, you would cry. So just look at them and sigh and know they love you.
THE SIX AND SEVEN BOOKS OF MOSES
Many Reggae songs are based on the Bible. This is one of them. Crediting Moses with authorship of the books in the Bible continues to this day, despite strong evidence to the contrary.
Yeah, the six and the seven books, he wrote them all. There are Genesis, and Exodus, Leviticus and Numers, Deuteronomy and Joshua, Judges, and Ruth. For the six and the seven books, he wrote them all. For the six and the seven books, yeah he wrote them all! There are Genesis and Exodus, Leviticus and Numbers, Deuteronomy and Joshua, Judges, and Ruth. For the six and the seven books, he wrote them all. For the six and the seven books, yeah he wrote them all. For the six and the seven books, yeah, he wrote, wrote them all! Yeah he wrote them all!

    This is from an English oratorio (The Crucifixion), quoting the typological reading of the Gospel of John 3:14-15. This is a type of music called recitative (English word=recite), halfway between singing and speaking, which usually introduces the main aria or chorus:
    And as Moses lifted up the serpent in the wilderness, even so must the Son of Man be lifted up that whosoever believeth in Him, that whosoever believeth in Him should not perish, should not perish but have everlasting life.

THE PRIESTLY BLESSING
This is one of the most famous texts in the Bible and the most famous in the book of Numbers. It's recited by some Jews each day and by some Protestant Christian churches in variant form. Some scholars see a gradation of lessening degree in the three-fold blessing: for the saint, for the good, and for the sinner. Others see in the three-fold blessing a reference to the three patriarchs (Abraham, Isaac, and Jacob). (Compare Ecclesiastes: "A cord of three strands is not quickly broken" 4:12b, and also the three theological virtues in 1 Corinthians 13.) The prayer is commonly recited with a hand formation spreading the fingers to each side, so two fingers on the left separate from two fingers on the right, supposedly to visualize verses from the Song of Songs, in traditional readings where the "lover" represents God, who "looks through the windows, through the lattice" (SS: 2:9b). Leonard Nimroy used this symbol for his character, Mr. Spock, in the Star Trek series.

The Lord bless you and keep you, the Lord make his face to shine upon you, to shine upon you and be gracious unto you. (Repeat). The Lord lift up the light of his countenance upon you (repeat) and give you peace, and give you peace (repeat) and give you peace. Amen.*
    NOTE: "Amen" means "Certainly." In the Old Testament it's commonly spoken to approve someone else's words. Jesus however uses it at the beginning of sentences he himself speaks, seeming to speak with absolute authority ("Amen I say to you," etc.). Today the word is spoken to voice agreement after the priest or minister says a prayer or comment.


Sunday, October 28, 2007

THE DOCUMENTARY: October 26 - November 9, 2007 (Picture files omitted on this blog version.)

THE DOCUMENTARY
October 26 - November 9, 2007

For class study we will view three documentaries of different kinds, including Louisiana Story (October 26), Fahrenheit 9/11 (November 2), and Salesman (November 9).
    As I've said in previous handouts and shot analyses, the documentary is an interesting genre to study film style and how style affects subject matter. The documentary is also critical because its very premise to being factual is, by the very nature of the filmic process, called into question: How can an event be factual, in the sense of "real-to-life," if it's filmed as part of a larger documentary focus, including an editing process that involves both inclusion and exclusion of filmed footage?
    I have focused on these "epistemological" issues (that is, issues involving the question of "knowledge" or reality) as plainly as possible in my study pictures. For now, I wish to focus on simple elements of style in the documentary.
    Above are two animated sequences to demonstrate the effect of the hand-held camera, a critical tool in the development of the modern documentary, because it allowed subjects to be filmed "unobtrusively" and often spontaneously (since the light-weight camera could be carried around without physical problems). The jumpy images produced by the hand-held camera have a feel of "authenticity," as if the real were "really" being shown and not "dressed up," as in a Hollywood feature film. For that reason, even Hollywood feature films borrowed this style to add authenticity (a sense of reality) to their films, such as The French Connection, and countless others.
    The other element of style I wish to focus on here are two dolly shots. Although Salesman is a documentary, specifically part of the "direct cinema" movement (that is, a documentary without voice-over commentary or interviews), no cinema is entirely free from elements of style. We can mention four here: the hand-held camera; editing (what to include or omit of the footage); framing (what to film; that is, what to include in the shot and what to leave out); and camera movement.
    The hand-held camera creates a feeling of authenticity: of "being there" just as it happened. Editing can show poverty in a city but leave out prosperous neighborhoods, cultural places, etc. Framing can point a camera at drug addicts on the street, but ignore ordinary people going to and from work.
    In conclusion, we'll study camera movement. The focus of Salesman is a man nicknamed "The Badger." Twice Albert Maysles (the cinematographer on the Maysles Brothers' films) decides to dolly in on the Badger, thus cinematically commenting on him, imposing a point of view on that subject: the dolly shot suggests there is an emotion that must be revealed to the viewer and that's why the camera is moving closer.
    Both dolly shots above suggest the Badger is the main subject of Salesman (though there are related themes, as I point out in my study pictures). The motif here is the Badger's frustration—his sense of failure at his job.
    A "familiar shot" throughout is the Badger's look of frustration. The first dolly shot (above, left) complements that look with a forward moving camera—as if to emphasize it.
    The second dolly shot (above, right) is an example of how a good documentary is a combination of factors, including sufficient footage (at a much higher shooting ratio (that is, ratio of included footage to shot footage) than the typical Hollywood feature, and editing skills that "discover" coherence and a point-of-view in that footage (often thousands of feet of film for a very short release print of usually no more than ninety minutes).
    It's clear the editors (including Albert Maysles) "discovered" that the film's true focus must be the Badger. Whether this was discovered midway through filming of the footage or only in the final editing process is unclear.
    What's clear is the editors found the perfect shot with which to end the movie with a sense of focus and coherence: the "familiar image" of the Badger is repeated, but this time framed in a doorway (doorways are symbolic of transition, or change) and with a dolly shot almost imperceptibly advancing towards his face—as if the camera were trying to capture the real agony (or at least the sense of frustration or failure) the salesman felt. This image fades into a black screen (omitted in my animated series) as the film ends—a neat image of the salesman's limited hopes of success in his field.
    The film director Francis Coppola summed up the director's art as making the most of accidents. This is especially true of the documentary filmmaker, who must shoot thousands of feet of film hoping somehow to find coherence and a point-of-view by the time a much shorter final cut is made.

DEUTERONOMY (Class Edit) Week of 6 November 2007

DEUTERONOMY
"Deuteronomy" means "second law," as the book was named in the Greek translation. Almost all scholars agree that the book was written probably in the 7th century BCE after the fall of the northern kingdom (Israel) to the Assyrians (722 BCE). Much of the book must have been written after Judah's (King Josiah's) reform era in 622; hence the name "second law," though a better phrase would be "revived law." The book was an attempt to revive a forgotten or ignored way of living. The monarchy (starting with Saul, about 1020 BCE) had allowed great class differences, an increase in poverty and wealth, and other social abuses that follow worldly success. Though obviously not written by Moses, the book needed Moses to give this reminder of the law the same authority that Moses gave the first law. Even the Ten Commandments are repeated here, from Exodus 20. In the same way, Jesus will try a reformed or "second" law, surpassing Moses in his Sermon on the Mount. Like Moses received the Law after 40 days of fasting, Jesus fasts 40 days.

1

1: These are the words that Moses spoke to all Israel beyond the Jordan in the wilderness.

"Israel" means "all" the people, past and present (one must remember that this book is being read by people in the 7th century BCE or later, despite the fiction of being written in Moses' time).
17: You shall not be partial in judgment; you shall hear the small and the great alike; you shall not be afraid of the face of man, for the judgment is God's; and the case that is too hard for you, you shall bring to me, and I will hear it.'
37: The LORD was angry with me also on your account, and said, `You also shall not go in there;

Note that now there's a different reason why Moses will not cross into the Promised Land: the people are blamed, not Moses; though Moses is clearly blamed in Numbers and even at the end of this book.
38: Joshua the son of Nun, who stands before you, he shall enter.
39: Moreover your little ones, who you said would become a prey, and your children, who this day have no knowledge of good or evil, shall go in there, and to them I will give it, and they shall possess it.
The irony is repeated: the children will inherit a land their fathers doubted could be won. They "have no knowledge of good and evil," refers back to Genesis and may allow some understanding of what "good and evil" means in that book and here. "Good and evil" suggests all the negative thoughts that destroy us, whether jealousy, fear, envy, greed, pride, anger, etc.

4

1: "And now, O Israel, give heed to the statutes and the ordinances which I teach you, and do them; that you may live, and go in and take possession of the land which the LORD, the God of your fathers, gives you.
15: "Therefore take good heed to yourselves. Since you saw no form on the day that the LORD spoke to you at Horeb [Sinai] out of the midst of the fire,
16: beware lest you act corruptly by making a graven image for yourselves. . . .
21: Furthermore the LORD was angry with me on your account, and he swore that I should not cross the Jordan, and that I should not enter the good land which the LORD your God gives you for an inheritance.
22: For I must die in this land, I must not go over the Jordan; but you shall go over and take possession of that good land.
Moses reminds the people to keep the Law and predicts the following (of course, when the book was really written, after 622, this had already happened (the book was supposed to have been written in the time of Moses).

27: And the LORD will scatter you among the peoples, and you will be left few in number among the nations where the LORD will drive you.
28: And there you will serve gods of wood and stone, the work of men's hands, that neither see, nor hear, nor eat, nor smell.

These are words of hope for those in current exile:
29: But from there you will seek the LORD your God, and you will find him, if you search after him with all your heart and with all your soul.
Note the stress on "heart and soul": this second or reform law must be lived, not talked about. This is part of the Deuteronomist's "theodicy" (explaining God's justice). It is not that God lied or didn't keep his part of the bargain, rather people didn't keep their part of the bargain! That explains the Deuteronomistic History, which begins here and ends with 2 Kings (Joshua, Judges, 1 &2 Samuel, 1 &2 Kings). Though the last book of the Torah, Deuteronomy starts a new cycle influenced by the monarchical abuses of Torah values. Once the nation became secure and wealthy, abuses began.

5

1: And Moses summoned all Israel, and said to them, "Hear, O Israel, the statutes and the ordinances which I speak in your hearing this day, and you shall learn them and be careful to do them.
2: The LORD our God made a covenant with us in Horeb.

Note Moses' great rhetoric: the covenant is contemporary: it continues to this day. Israel is not then but NOW. The Lord spoke with "YOU." Horeb = Sinai.
3: Not with our fathers did the LORD make this covenant, but with us, who are all of us here alive this day.
4: The LORD spoke with you face to face at the mountain, out of the midst of the fire,
5: He said:
Now follow a repeat of the 10 Commandments, with minor changes. The most important change is that people are reminded to keep the Sabbath because they were once slaves in Egypt (in Exodus the reference is to God resting on the Seventh day). Exodus explained the Sabbath theologically; Deuteronomy explains the Sabbath (day of rest) historically: you were slaves then, so you should honor your freedom every 7th day.
15: You shall remember that you were a servant in the land of Egypt, and the LORD your God brought you out thence with a mighty hand and an outstretched arm; therefore the LORD your God commanded you to keep the sabbath day.
Another important correction: the wife is now treated with more dignity, placed at the beginning instead of in the middle of the list of what not to covet:
21: "`Neither shall you covet your neighbor's wife; and you shall not desire your neighbor's house, his field, or his manservant, or his maidservant, his ox, or his ass, or anything that is your neighbor's.'

6

This is one of the most honred verses in the Bible. It's called the Shema (after the first word, "hear"). The point is 1. God is One, not many, 2. There is one God, despite other gods talked about, 3. There is one place of worship. Centralization of worship begins here, though some centralization was suggested in earlier texts. By the time of the kingdoms, people were worhsipping God almost everywhere, including at home. Abuses crept in because of this. God was mixed with native gods. Poor sacrifices were made, etc.

4: "Hear, O Israel: The LORD our God is one LORD;
5: and you shall love the LORD your God with all your heart, and with all your soul, and with all your might.

Jesus quotes this as one of the two main commandments, along with the law to love one's neighbor as oneself (Leviticus). Note again the "heart and soul" motif: the law must be lived.
6: And these words which I command you this day shall be upon your heart;
7: and you shall teach them diligently to your children, and shall talk of them when you sit in your house, and when you walk by the way, and when you lie down, and when you rise.
8: And you shall bind them as a sign upon your hand, and they shall be as frontlets between your eyes.

These are called phylacteries. On the doorposts they're called mezzuzahs, small cases in which are deposited verses from Deuteronomy 6:4-9 and 11:13-21 (both versions of the Shema, "to love God with one's whole heart and soul"). (A mezzuzah case, scroll that goes inside the case, and the mezzuzah case as it looks hung on the doorpost are seen in an animated gif file, left.) Yet Jesus criticizes exaggerated displays of devotion among the Pharisees: "Everything they do is done for men to see: They make their phylacteries wide and the tassels on their garments long. . . ." (MATT 23:5).
9: And you shall write them on the doorposts of your house and on your gates.
12: then take heed lest you forget the LORD, who brought you out of the land of Egypt, out of the house of bondage.
V. 16 is one of three verses from this book that Jesus quotes to the Devil when he's tempted. Note in v. 21 more reminding of being slaves, as if to say, "God is your only dignity." This remains true today: we are what we love.
16: "You shall not put the LORD your God to the test, as you tested him at Massah.
20: "When your son asks you in time to come, `What is the meaning of the testimonies and the statutes and the ordinances which the LORD our God has commanded you?'
21: then you shall say to your son, `We were Pharaoh's slaves in Egypt; and the LORD brought us out of Egypt with a mighty hand. . . .

7

1: "When the LORD your God brings you into the land which you are entering to take possession of it, and clears away many nations before you, the Hittites, the Gir'gashites, the Amorites, the Canaanites, the Per'izzites, the Hivites, and the Jeb'usites, seven nations greater and mightier than yourselves,
3: You shall not make marriages with them, giving your daughters to their sons or taking their daughters for your sons.
4: For they would turn away your sons from following me, to serve other gods; then the anger of the LORD would be kindled against you, and he would destroy you quickly.

This defends the total destruction of the people, which would be called genocide today. But the writer is writing after the event and knows that the Jews have accepted other values leading to present problems, including exile.
5: But thus shall you deal with them: you shall break down their altars, and dash in pieces their pillars, and hew down their Ashe'rim, and burn their graven images with fire.
6: "For you are a people holy to the LORD your God; the LORD your God has chosen you to be a people for his own possession, out of all the peoples that are on the face of the earth.

8

2: And you shall remember all the way which the LORD your God has led you these forty years in the wilderness, that he might humble you, testing you to know what was in your heart, whether you would keep his commandments, or not.

This is like a Jewish Midrash (commentary) on Jewish scripture; not only Christians did this. St. Paul later does this with the same events, using them as allegory, to teach a lesson. "Manna" here taught humility. But Jesus will later use "Manna" as an image of himself as Bread of Life. Both texts imply complete dependence on God alone. Jesus quotes "man does not live by bread alone" to the Devil, as an example of perfect obedience that the other Jews lacked. So Jesus fulfills Israel, as he fulfills the Law, as perfect obedience to the Law. Israel, God, and Law blend in the Jewish mind; so, as today, to worship God and to study Torah (the Law) are the same.
3: And he humbled you and let you hunger and fed you with manna, which you did not know, nor did your fathers know; that he might make you know that man does not live by bread alone, but that man lives by everything that proceeds out of the mouth of the LORD.
4: Your clothing did not wear out upon you, and your foot did not swell, these forty years.
5: Know then in your heart that, as a man disciplines his son, the LORD your God disciplines you.
6: So you shall keep the commandments of the LORD your God, by walking in his ways and by fearing him.
17: Beware lest you say in your heart, `My power and the might of my hand have gotten me this wealth.'
18: You shall remember the LORD your God, for it is he who gives you power to get wealth; that he may confirm his covenant which he swore to your fathers, as at this day.
A reminder that God is the source of all things. Then in chapter 9, v. 5 (next) God reminds Israel that their benefits are not because of their good but because of the evil of others!

9

5: Not because of your righteousness or the uprightness of your heart are you going in to possess their land; but because of the wickedness of these nations the LORD your God is driving them out from before you, and that he may confirm the word which the LORD swore to your fathers, to Abraham, to Isaac, and to Jacob.

10

12: "And now, Israel, what does the LORD your God require of you, but to fear the LORD your God, to walk in all his ways, to love him, to serve the LORD your God with all your heart and with all your soul,
13: and to keep the commandments and statutes of the LORD, which I command you this day for your good?
"Circumcision" has already begun to be used symbolically, as in image or a change of heart (v. 16). Hebrew makes superlatives (-est) by gentives ("of"): "lord of lords," "song of songs," etc. mean "greatest lord" or "best song," etc. "Holy of Holies," King of Kings," etc. Note how this precedes a reminder to respect foreigners, orphans, etc.
16: Circumcise therefore the foreskin of your heart, and be no longer stubborn.
17: For the LORD your God is God of gods and Lord of lords, the great, the mighty, and the terrible God, who is not partial and takes no bribe.
18: He executes justice for the fatherless and the widow, and loves the sojourner, giving him food and clothing.
19: Love the sojourner therefore; for you were sojourners in the land of Egypt.

11

18: "You shall therefore lay up these words of mine in your heart and in your soul; and you shall bind them as a sign upon your hand, and they shall be as frontlets between your eyes.
19: And you shall teach them to your children, talking of them when you are sitting in your house, and when you are walking by the way, and when you lie down, and when you rise.
20: And you shall write them upon the doorposts of your house and upon your gates,

12

This continues the centralization motif: worship can only occur in one place, later identified with Jerusalem.
5: But you shall seek the place which the LORD your God will choose out of all your tribes to put his name and make his habitation there; there you shall go,
6: and there you shall bring your burnt offerings and your sacrifices
8: You shall not do according to all that we are doing here this day, every man doing whatever is right in his own eyes;
9: for you have not as yet come to the rest and to the inheritance which the LORD your God gives you.

Note in v. 9 the motif of "REST" (=Sabbath). The writer of Hebrews (the Letter to the Hebrews) uses this idea; also see Psalm 95.
10: But when you go over the Jordan, and live in the land which the LORD your God gives you to inherit, and when he gives you rest from your enemies, so you live in safety,
11: then to the place which the LORD your God will choose, to make his name dwell there, thither you shall bring all that I command you: your burnt offerings and your sacrifices.
29: "When the LORD your God cuts off before you the nations whom you go in to dispossess, and you dispossess them and dwell in their land,
30: take heed that you be not ensnared to follow them, after they have been destroyed before you, and that you do not inquire about their gods, saying, `How did these nations serve their gods? -- that I also may do likewise.'

14

1: "You are the sons of the LORD your God; you shall not cut yourselves or make any baldness on your foreheads for the dead.

Note how the confusion will arise later about the meaning of "son of God" as used about Jesus. Most Jews, especially kings, would call themselves sons of God. But as used of Jesus, it has special (literal) meaning (see the Gospel of John where that meaning is clear). Note in the following verses the problem that centralization has caused in a money economy. Tithing must be made, but now allowance is made due to distances; and conversion can be made into money. So we know this is from a more advanced period than that of Moses and obviously in the kingdom period. Note that care is also given to the Levite in this new centralized worship.
22: "You shall tithe all the yield of your seed, which comes forth from the field year by year.
23: And before the LORD your God, in the place which he will choose, to make his name dwell there, you shall eat the tithe of your grain, of your wine, and of your oil, and the firstlings of your herd and flock; that you may learn to fear the LORD your God always.
24: And if the way is too long for you, so that you are not able to bring the tithe, when the LORD your God blesses you, because the place is too far from you, which the LORD your God chooses, to set his name there,
25: then you shall turn it into money, and bind up the money in your hand, and go to the place which the LORD your God chooses,
26: and spend the money for whatever you desire, oxen, or sheep, or wine or strong drink, whatever your appetite craves; and you shall eat there before the LORD your God and rejoice, you and your household.
27: And you shall not forsake the Levite who is within your towns, for he has no portion or inheritance with you.

Note in this reformed (second) law there's more reference to the poor, a kind of early socialism. Every 3 years a tenth is given to the poor as well as the Levite (remember, of the 12 tribes, Levites received no inheritance: the idea was to keep the priestly class pure from ownership).
28: "At the end of every three years you shall bring forth all the tithe of your produce in the same year, and lay it up within your towns;
29: and the Levite, because he has no portion or inheritance with you, and the sojourner, the fatherless, and the widow, who are within your towns, shall come and eat and be filled; that the LORD your God may bless you in all the work of your hands that you do.

15

1: "At the end of every seven years you shall grant a release.
2: And this is the manner of the release: every creditor shall release what he has lent to his neighbor; he shall not exact it of his neighbor, his brother, because the LORD's release has been proclaimed.
Note this is a new law, of the heart as well as of the flesh (v. 10). The giver must give in the right mind. Jesus will develop this idea. Jesus also refers to v. 11. Below the giver is warned not to resist giving to the poor because the Sabbath (7th) year is near, and thus the giver will lose his profit.
9: Take heed lest there be a base thought in your heart, and you say, `The seventh year, the year of release is near,' and your eye be hostile to your poor brother, and you give him nothing, and he cry to the LORD against you, and it be sin in you.
10: You shall give to him freely, and your heart shall not be grudging when you give to him.
11: For the poor will never cease out of the land; therefore I command you, You shall open wide your hand to your brother, to the needy and to the poor, in the land.

Note how the motif of Rest (Sabbath) is developed; slavery is limited to 7 years. Again, this goes back to Genesis and the dignity of Creation, which involves rest.
12: "If your brother, a Hebrew man, or a Hebrew woman, is sold to you, he shall serve you six years, and in the seventh year you shall let him go free from you.
13: And when you let him go free from you, you shall not let him go empty-handed;
14: you shall furnish him liberally out of your flock, out of your threshing floor, and out of your wine press; as the LORD your God has blessed you, you shall give to him.
15: You shall remember that you were a slave in the land of Egypt, and the LORD your God redeemed you; therefore I command you this today.

16

5: You may not offer the passover sacrifice within any of your towns which the LORD your God gives you;

Centralization of worship again. Before, people celebrated Passover in their homes. Note the ambiguity or unclear meaning of God "making his name to dwell" in a place, repeated several times in this book. Apparently the writer felt uncomfortable with the idea of God dwelling, so now only his name dwells. Even before this book, God's dwelling was fudged as "tabernacled" or "tented"; as if the God of all the earth was above living someplace.
6: but at the place which the LORD your God will choose, to make his name dwell in it, there you shall offer the passover sacrifice, in the evening at the going down of the sun, at the time you came out of Egypt.
19: You shall not pervert justice. . . .
20: Justice, and only justice, you shall follow, that you may live and inherit the land which the LORD your God gives you.

Syncretism (mixing religions) was more dangerous than outright apostasy, or turning away from God. Because it was more difficult to see. Asherah was one of many fertility goddesses (Asheroth in plural). Obviously people worship those goddesses because everyone wants children or Nature's fertility in the form of rain (hence Ba'al worship).
21: "You shall not plant any tree as an Ashe'rah beside the altar of the LORD your God which you shall make.

17

14: "When you come to the land which the LORD your God gives you, and you possess it and dwell in it, and then say, `I will set a king over me, like all the nations that are round about me';
15: you may indeed set as king over you him whom the LORD your God will choose. One from among your brethren you shall set as king over you; you may not put a foreigner over you, who is not your brother.

Apparently Jews were trading people for horses. Later verses may refer to Solomon's abuses as king:
16: Only he must not multiply horses for himself, or cause the people to return to Egypt in order to multiply horses, since the LORD has said to you, `You shall never return that way again.'
17: And he shall not multiply wives for himself, lest his heart turn away; nor shall he greatly multiply for himself silver and gold.
18: "And when he sits on the throne of his kingdom, he shall write for himself in a book a copy of this law, from that which is in the charge of the Levitical priests;
19: and it shall be with him, and he shall read in it all the days of his life, that he may learn to fear the LORD his God, by keeping all the words of this law and these statutes, and doing them;
20: that his heart may not be lifted up above his brethren, and that he may not turn aside from the commandment, either to the right hand or to the left; so that he may continue long in his kingdom, he and his children, in Israel.

18

These verses are sometimes used, typologically, of Jesus:
15: "The LORD your God will raise up for you a prophet like me from among you, from your brethren -- him you shall heed --
18: I will raise up for them a prophet like you from among their brethren; and I will put my words in his mouth, and he shall speak to them all that I command him.
19: And whoever will not give heed to my words which he shall speak in my name, I myself will require it of him.

19

15: "A single witness shall not prevail against a man for any crime or for any wrong in connection with any offense that he has committed; only on the evidence of two witnesses, or of three witnesses, shall a charge be sustained.
16: If a malicious witness rises against any man to accuse him of wrongdoing,
17: then both parties to the dispute shall appear before the LORD, before the priests and the judges who are in office in those days;
18: the judges shall inquire diligently, and if the witness is a false witness and has accused his brother falsely,
19: then you shall do to him as he had meant to do to his brother; so you shall purge the evil from the midst of you.
20: And the rest shall hear, and fear, and shall never again commit any such evil among you.
21: Your eye shall not pity; it shall be life for life, eye for eye, tooth for tooth, hand for hand, foot for foot.

20

These military rules are not only humane, but also insure that only people willing to fight will be in the army; their hearts and souls will think about the fight, not about their brides, homes, gardens, etc.
1: "When you go forth to war against your enemies,
5: Then the officers shall speak to the people, saying, `What man is there that has built a new house and has not dedicated it? Let him go back to his house, lest he die in the battle and another man dedicate it.
6: And what man is there that has planted a vineyard and has not enjoyed its fruit? Let him go back to his house, lest he die in the battle and another man enjoy its fruit.
7: And what man is there that has betrothed a wife and has not taken her? Let him go back to his house, lest he die in the battle and another man take her.'
8: And the officers shall speak further to the people, and say, 'What man is there that is fearful and fainthearted? Let him go back to his house, lest the heart of his fellows melt as his heart.'

21

10: "When you go forth to war against your enemies, and the LORD your God gives them into your hands, and you take them captive,
11: and see among the captives a beautiful woman, and you have desire for her and would take her for yourself as wife,
12: then you shall bring her home to your house, and she shall shave her head and pare her nails.
13: And she shall put off her captive's garb, and shall remain in your house and bewail her father and her mother a full month; after that you may go in to her, and be her husband, and she shall be your wife.
14: Then, if you have no delight in her, you shall let her go where she will; but you shall not sell her for money, you shall not treat her as a slave, since you have humiliated her.

St. Paul later refers to this curse of being hung from a tree to explain the curse that Jesus assumed by hanging from a tree (cross):
22: "And if a man has committed a crime punishable by death and he is put to death, and you hang him on a tree,
23: his body shall not remain all night upon the tree, but you shall bury him the same day, for a hanged man is accursed by God; you shall not defile your land which the LORD your God gives you for an inheritance.

22

4: You shall not see your brother's ass or his ox fallen down by the way, and withhold your help from them; you shall help him to lift them up again.
5: "A woman shall not wear anything that pertains to a man, nor shall a man put on a woman's garment; for whoever does these things is an abomination to the LORD your God.
6: "If you chance to come upon a bird's nest, in any tree or on the ground, with young ones or eggs and the mother sitting upon the young or upon the eggs, you shall not take the mother with the young;
7: you shall let the mother go, but the young you may take to yourself; that it may go well with you, and that you may live long.
8: "When you build a new house, you shall make a parapet for your roof, that you may not bring the guilt of blood upon your house, if any one fall from it.
10: You shall not plow with an ox and an ass together.
12: "You shall make yourself tassels on the four corners of your cloak with which you cover yourself.

Hence in the Gospels a woman who can't stop her bleeding touches the hem of Jesus' garment (v. 12 above).
25: "If in the open country a man meets a young woman who is betrothed, and the man seizes her and lies with her, then only the man who lay with her shall die.
26: But to the young woman you shall do nothing; in the young woman there is no offense punishable by death, for this case is like that of a man attacking and murdering his neighbor;
27: because he came upon her in the open country, and though the betrothed young woman cried for help there was no one to rescue her.

23

American abolitionists must have valued v. 15, which justified not returning escaped slaves from the southern states:
15: "You shall not give up to his master a slave who has escaped from his master to you;
16: he shall dwell with you, in your midst, in the place which he shall choose within one of your towns, where it pleases him best; you shall not oppress him.
24: "When you go into your neighbor's vineyard, you may eat your fill of grapes, as many as you wish, but you shall not put any in your vessel.

24

5: "When a man is newly married, he shall not go out with the army or be charged with any business; he shall be free at home one year, to be happy with his wife whom he has taken.
6: "No man shall take a mill or an upper millstone in pledge; for he would be taking a life in pledge.
7: "If a man is found stealing one of his brethren, the people of Israel, and if he treats him as a slave or sells him, then that thief shall die; so you shall purge the evil from the midst of you.

Most of these laws are humane, defending the dignity of people even though they're poor.
10: "When you make your neighbor a loan of any sort, you shall not go into his house to fetch his pledge.
11: You shall stand outside, and the man to whom you make the loan shall bring the pledge out to you.
12: And if he is a poor man, you shall not sleep in his pledge;
13: when the sun goes down, you shall restore to him the pledge that he may sleep in his cloak and bless you; and it shall be righteousness to you before the LORD your God.
14: "You shall not oppress a hired servant who is poor and needy, whether he is one of your brethren or one of the sojourners who are in your land within your towns;
15: you shall give him his hire on the day he earns it, before the sun goes down (for he is poor, and sets his heart upon it); lest he cry against you to the LORD, and it be sin in you.
16: "The fathers shall not be put to death for the children, nor shall the children be put to death for the fathers; every man shall be put to death for his own sin.
17: "You shall not pervert the justice due to the sojourner or to the fatherless, or take a widow's garment in pledge;
18: but you shall remember that you were a slave in Egypt and the LORD your God redeemed you from there; therefore I command you to do this.
19: "When you reap your harvest in your field, and have forgotten a sheaf in the field, you shall not go back to get it; it shall be for the sojourner, the fatherless, and the widow; that the LORD your God may bless you in all the work of your hands.
20: When you beat your olive trees, you shall not go over the boughs again; it shall be for the sojourner, the fatherless, and the widow.
21: When you gather the grapes of your vineyard, you shall not glean it afterward; it shall be for the sojourner, the fatherless, and the widow.
22: You shall remember that you were a slave in the land of Egypt; therefore I command you to do this.

25

11: "When men fight with one another, and the wife of the one draws near to rescue her husband from the hand of him who is beating him, and puts out her hand and seizes him by the private parts,
12: then you shall cut off her hand; have no pity.
13: "You shall not have in your bag two kinds of weights, a large and a small.
14: You shall not have in your house two kinds of measures, a large and a small.
15: A full and just weight you shall have, a full and just measure you shall have; that your days may be prolonged in the land which the LORD your God gives you.
16: For all who do such things, all who act dishonestly, are an abomination to the LORD your God.

28

Most scholars agree that the Jewish covenantal laws were based on international vassal covenants at the time: weaker nations agreed to follow stronger kings and guaranted both blessings and curses (should they break the contract). But here God is the King of Kings. And remember, when this was written, prophecy had already happened, since many had already been conqured and exiled:
15:
"If you will not obey the voice of the LORD your God or be careful to do all his commandments and his statutes which I command you this day, then all these curses shall come upon you and overtake you.
25: "The LORD will cause you to be defeated before your enemies.
26: And your dead body shall be food for all birds of the air, and for the beasts of the earth; and there shall be no one to frighten them away.
30: You shall betroth a wife, and another man shall lie with her; you shall build a house, and you shall not dwell in it; you shall plant a vineyard, and you shall not use the fruit of it.
32: Your sons and your daughters shall be given to another people, while your eyes look on and fail with longing for them all the day; and it shall not be in the power of your hand to prevent it.
36: "The LORD will bring you, and your king whom you set over you, to a nation that neither you nor your fathers have known; and there you shall serve other gods, of wood and stone.
49: The LORD will bring a nation against you from afar, from the end of the earth, as swift as the eagle flies, a nation whose language you do not understand.
52: They shall besiege you in all your towns, until your high and fortified walls, in which you trusted, come down throughout all your land; and they shall besiege you in all your towns throughout all your land, which the LORD your God has given you.
53: And you shall eat the offspring of your own body, the flesh of your sons and daughters, whom the LORD your God has given you, in the siege and in the distress with which your enemies shall distress you.
64: And the LORD will scatter you among all peoples, from one end of the earth to the other; and there you shall serve other gods, of wood and stone, which neither you nor your fathers have known.

This is the Jewish Diaspora (or dispersion).
65: And among these nations you shall find no ease, and there shall be no rest for the sole of your foot; but the LORD will give you there a trembling heart, and failing eyes, and a languishing soul;
66: your life shall hang in doubt before you; night and day you shall be in dread, and have no assurance of your life.
The following is the final insult: the people God freed from Egypt will return to Egypt freely (to escape the Babylonians).
68: And the LORD will bring you back in ships to Egypt, a journey which I promised that you should never make again; and there you shall offer yourselves for sale to your enemies as male and female slaves, but no man will buy you."

30

1: "And when all these things come upon you, the blessing and the curse, which I have set before you, and you call them to mind among all the nations where the LORD your God has driven you,
2: and return to the LORD your God, you and your children, and obey his voice in all that I command you this day, with all your heart and with all your soul;
3: then the LORD your God will restore your fortunes, and have compassion upon you, and he will gather you again from all the peoples where the LORD your God has scattered you.
19: I call heaven and earth to witness against you this day, that I have set before you life and death, blessing and curse; therefore choose life, that you and your descendants may live. . . .

31

1: So Moses continued to speak these words to all Israel.
2: And he said to them, "I am a hundred and twenty years old this day; I am no longer able to go out and come in. The LORD has said to me, `You shall not go over this Jordan.'
7: Then Moses called Joshua, and said to him in the sight of all Israel, "Be strong and of good courage; for you shall go with this people into the land which the LORD has sworn to their fathers to give them; and you shall put them in possession of it.
8: It is the LORD who goes before you; he will be with you, he will not fail you or forsake you; do not fear or be dismayed."
24: When Moses had finished writing the words of this law in a book, to the very end,
25: Moses commanded the Levites who carried the ark of the covenant of the LORD,
26: "Take this book of the law, and put it by the side of the ark of the covenant of the LORD your God, that it may be there for a witness against you.
30: Then Moses spoke the words of this song until they were finished, in the ears of all the assembly of Israel:

32

1: "Give ear, O heavens, and I will speak;
3: For I will proclaim the name of the LORD. Ascribe greatness to our God!
4: "The Rock, his work is perfect; for all his ways are justice. A God of faithfulness and without iniquity, just and right is he.
5: They have dealt corruptly with him, they are no longer his children because of their blemish; they are a perverse and crooked generation.
39: "`See now that I, even I, am he, and there is no god beside me; I kill and I make alive; I wound and I heal; and there is none that can deliver out of my hand."
In this theodicy, God causes everything, good and evil. In such a monotheism, this must be so. Later the idea of the Devil creeps into Jewish thought and by the time of Jesus, the Devil owns the world and offers it to Jesus!

34

1: And Moses went up from the plains of Moab to Mount Nebo, to the top of Pisgah, which is opposite Jericho. And the LORD showed him all the land,
4: And the LORD said to him, "This is the land of which I swore to Abraham, to Isaac, and to Jacob, `I will give it to your descendants.' I have let you see it with your eyes, but you shall not go there."
5: So Moses the servant of the LORD died in the land of Moab, according to the word of the LORD,
9: And Joshua the son of Nun was full of the spirit of wisdom, for Moses had laid his hands upon him; so the people of Israel obeyed him, and did as the LORD had commanded Moses.
10: And there has not arisen a prophet since in Israel like Moses, whom the LORD knew face to face.
V. 10 is another of those "tell-tale" lines, showing the text was written much later than in Moses' time, since it is written: "And there has not arisen a prophet since. . . ." meaning a long time ago.


Friday, October 26, 2007

The Kuleshov Experiment Revisited: Illustrated and Persistence of Vision Revisited

THE KULESHOV EXPERIMENT Revisited

During the early Soviet era, the Russian filmmaker, Lev Kuleshov  experimented with film language. This kind of experimentation was convenient especially at a time when film stock was rare and expensive. So it was useful to edit the films of others in different ways to convey different meanings.
    One of these experiments, the famous "Kuleshov Experiment," is dismissed by some as more myth than reality. But in principle rather than fact, the experiment is useful to consider.
    Kuleshov is said to have used a film shot of a man's face, supposedly neutral in emotion, then edited that shot three different ways, with three different followup shots.
    One edit showed the man's face followed by a dead body. Another followed the man's face with a bowl of soup. Another followed with a shot of a baby.
    Each time, viewers would praise the acting of the man for perfectly showing grief, hunger, and joy.
    This is the basis of intellectual montage—creating a new idea out of two images. In fact, another Russian director, Sergei Eisenstein, compared film montage to the Chinese ideogram, which combines two images (ideas) to express an entirely different third idea that is more than the sum of the two images.
    Eisenstein gives the following examples:

    a dog + a mouth = "to bark";
    a mouth + a child = "to scream";
    a mouth + a bird = "to sing";
    a knife + a heart = "sorrow," and so on.

    This editing principle is not limited to intellectual montage, but is the basis of all film language. An entire film, Rear Window (Alfred Hitchcock, 1953), was built on this principle of showing the feelings of an actor (James Stewart) mainly through what he (and we) see him viewing at the time.
    Students are asked to "interpret" the emotion on the man's face (a simple line drawing) in all three animated gif files I made up for this purpose. One series (with a bowl of soup) should seem to express hunger, the second (with a gravestone) grief, the third (with a woman) desire.
    At the same time, consider again the matter of persistence of vision. Nineteenth-century photographer Eadweard Muybridge wished to settle a bet over whether a  horse keeps all four legs off the ground at one moment. The assumption was the racing horse always keeps one leg on the ground. Muybridge proved that for at least a moment, all four legs of a racing horse are off the ground (see above photo series).
    To photograph this action, Muybridge lined up twenty cameras with wires that would trigger a shot from each camera in sequence as the horse raced past. These sequential photos (c. 1877) were then published, along with dozens of other action studies.
    The modern camera does the same thing, within a single filmstrip, instead of using twenty cameras, and at a much faster rate of speed (24 shots per second, called fps, or "frames per second").
    I've illustrated how Muybridge's photos would look looped as in a screen projection. I cut up the photographs and arranged them sequentially in a slide show format
(above, right); by this means the student can observe the effect of the persistence of vision.

Film for 2 November 2007

Phi phenomenon: Another Demonstration

Students,
Attached I've included a static composition of ten blue circles. This is followed by the ten circles in static sequence. After that are those circles in rapid successive sequence. They now appear as a single circle, either moving towards (first gif file) or away from the viewer (second gif file).

Thursday, October 25, 2007

Phi Cont'd

Students,
Here's one more example of the Phi phenomenon, which I made up just now. It shows Elvis Presley in two successive positions, with the illusion of motion. The other animated gif I made up, of two autumnal scenes, does not have the same illusion of motion, since the images are too different to create an illusion. Note that in the Elvis gif neither the slow speed nor the disontinuity of sequential images would allow persistence of vision to create the illusion of motion; this is achieved by the Phi (a psychological) phenomenon. I've also included a sample of a flip (flick) book (see attached video). Finally, for those who wish to explore flip books further, there are many web pages that include them.


Flip Books in Illustration

Flip Books in Illustration

One final example of the Phi phenomenon in flip (flick/thumb) books.
    The first image shows the static sequential images (left); the second image shows the same sequential images in flipped
motion illusion (right); the third image shows the flipped motion at faster speed, hence combining the Phi phenomenon with persistence of vision to create a smoother or more continuous illusion of motion (left). These gif files are from the Internet.

Animated Cartoons

THE ANIMATED CARTOON

    As an added assignment this week, instead of staying to view these in the screening room, you can view them in the comfort of your own homes.
    We'll study two early examples of animated cartoons. The first is Winsor McCay's Gertie the Dinosaur (1914). The second is Walt Disney's Steamboat Willie (Ub Iwerks, 1928), which introduced a little mouse named Mickey.
    You can compare animation in both films. Animation involves, in theory, twenty-four sequential drawings for each second of film.
    I write "in theory" because there's such a thing as "selective animation," where fewer drawings are used each second and only parts of the body (the mouth, etc.) are animated. This less expensive animation is often used for television.
    Later "cel animation" replaced single-drawing animation. That is, each part of the cartoon figure's body was drawn on transparent "cels," placed on top of each other, so the entire figure did not need to be redrawn for each new frame, but only the part that moved. This was even more important for backgrounds, since the background did not need to be drawn each time.
    For now, let's compare McCay's film with Disney's. McCay's cartoon has nothing of expressive value. It's a visual gimmick, with a limited number of ideas and a limited sense of character; moreover, the artist lingers too long on each moment. (This is not to discredit the film, since it was innovative at the time.)
    Disney (with Iwerks), on the other hand, shows a constant flow of invention, not to mention an adept blend of sound and image, of which Disney was also a master, as his later feature-length cartoons (Snow White, Dumbo, Pinocchio, etc.) showed. In fact, the trade term, "Mickey Mousing" comes from Disney's use of synchronized sound effects (or music) and image.
    (For example, if a character falls, the music "tells" the moment with a percussive sound. This kind of Mickey Mousing of sound and image, as if the sound were commenting on the image, was also used for live-action films, with less artistic effect, since the matching of music and image seemed simple-minded.)
    Visually, Disney never wastes a frame without advancing character, story, or variation of ideas. In Steamboat Willie, for example, Mickey accents the music with each turn of the wheel.
    Or notice the theme and variation method Disney uses so well; in this case, the third steamboat whistles pipes an unexpected sound. Disney brought this variation technique to perfection in his early masterpiece, Three Little Pigs (1933), which won him one of many Oscars.
    Notice also the use of offscreen space, as the feline villain enters early in the cartoon from screen right, an example of framing for dramatic effect. Other examples of visual effect include at least one close-up and a long shot showing the arrival of the train. Probably the most effective, however, is the discovery pan, after Mickey takes a concert bow and "discovers" the cat, screen right (see attached file).
    Invention of ideas includes Mickey's elongated suspenders; the villain kicking himself; Mickey's fall into the water basin; more variation technqiue with the cat's spitting tobacco juice twice (the first time it hits the bell, which rings; the second time it hits him in the face); the winding up of the goat to expel the sheet music of "Turkey in the Straw"; and Mickey's jig dance to that tune, with Mickey as a one-man percussion band (pans, garbage pail, duck, piglets, bull's teeth and tongue, etc.).
    Note that Mickey already has a well-developed character (though still without his trademark white gloves): the middle-class mouse fighting for his ordinary dignity against the humiliations of social life. Note also how Disney develops visual and sound motifs in this early sound cartoon: the laughter and the singing:
    We first see Mickey whistling; then we see him playing various percussive instruments, still making music. In fact, this early sound short is a variation on different sounds of music, laughter, and animal calls.
    These motifs are developed in the cat character too, who laughs when his spat tobacco juice rebounds and hits the bell only to find the juice has the last laugh. This idea of the last laugh concludes the film, with Mickey laughing at the parrot, who had laughed at him.
    In terms of variation, and development, of visual motifs; the presentation of character; the unity of effect (motifs of music and laughter); and especially the synchronized blend of music, sound effects, and image, this early Mickey Mouse cartoon was an important contribution not only to cartoons, but even to live-action films.
    Of course, Disney's later innovations would reach even higher artistic levels, almost beyond imagination at the time (Snow White was nicknamed "Disney's Folly," since no-one believed a feature-length cartoon could succeed). But Steamboat Willie was a token of what was to come.