THE KID
The Kid (Charles Chaplin, 1921) is an assigned film for home viewing. Every film student should know Chaplin's cinema. For he is, without doubt, one of the great artists of the twentieth century, and, with director D. W. Griffith, one of the first great artists of the cinema.
We study this film from many points of view, but our focus will be on traditional presentational acting technique, different from today's "naturalistic" and representational acting styles (see study pictures).
(Roughly, "presentational" means acting to an audience; whereas representational pretends there is no audience, making it like real life.)
Chaplin had no equal as a mime artist and was one of the early cinema's great directors. His stories (staged by himself) were well plotted; his cinematography, while not fancy, was functional (it captured each key moment).
Chaplin summed up camera scale with the motto, "Long shot for comedy, close-up for tragedy." This is not exactly true, but as a general principle it holds true.
Born in England, Chaplin migrated to America and helped make Hollywood the world center of the new cinema. As much as any one person, he can be credited with making cinema the great art form of the twentieth century. Only D. W. Griffith, as director, was his equal in forming the basic grammar of film.
Attached are study pictures for the film, focused mainly on acting, but not ignoring other aspects of the film. For those who have trouble with the first link, another link for the film is here.
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